Miracle and Machine is a sort of "reader's guide" to Jacques Derrida's 1994 essay "faith and knowledge," his most important work on the nature of religion in general and on the unprecedented forms it is taking today through science and the ...

This article studies perceptual differences of three social robots by elementary school children of ages 6–13 years at research fairs. The autonomous humanoid robot Pepper, an advanced social robot primarily designed as a personal assistant with movement and mobility, is compared to the teleoperated AV1 robot—designed to help elementary school children who cannot attend school to have a telepresence through the robot—and the flowerpot robot Tessa, used in the eWare system as an avatar for a home sensor system and dedicated (...) to people with dementia living alone. These three robots were shown at the Norwegian national research fair, held in every major Norwegian city annually, where children were able to interact with the robots. Our analysis is based on quantitative survey data of the school children concerning the robots and qualitative discussions with them. By comparing three different types of social robots, we found that presence can be differently understood and conceptualized with different robots, especially relating to their function and “aliveness.” Additionally, we found a strong difference when relating robots to personal relations to one’s own grandparents versus older adults in general. We found children’s perceptions of robots to be relatively positive, curious and exploratory and that they were quite reflective on their own grandparent having a robot. (shrink)

This paper contends that African-centered models of psychopathology represent a heretical challenge to orthodox North American Mental Health. Heresy is the defiant rejection of ideology from a smaller community within the orthodoxy. African-centered models of psychopathology use much of the same language and ideas about the diagnostic process as Western psychiatry and clinical psychology but explicitly reject the ideological foundations of illness definition. The nature of the heretical critique is discussed, and implications for the future of this school of thought (...) are offered. (shrink)

Liquor stores have been repeatedly shown to be disproportionately prevalent in Black neighborhoods and therefore constitute a disproportionate health risk. This paper examines the ways in which liquor stores jeopardize Black lives through social and material conditions that are broader than health risk. Embodying and perpetuating dysfunctional markets, liquor stores relegate Black consumers to an overabundance of inexpensive and potent alcoholic beverages sold from heavily securitized storefronts and provoke conflicted and oppositional relationships. Liquor stores exist in a state of antibiosis (...) with Black communities, an antagonistic relationship in which liquor stores gain but communities are adversely affected. (shrink)

Growth in CSR-washing claims in recent decades has been dramatic in numerous academic and activist contexts. The discourse, however, has been fragmented, and still lacks an integrated framework of the conditions necessary for successful CSR-washing. Theorizing successful CSR-washing as the joint occurrence of five conditions, this paper undertakes a literature review of the empirical evidence for and against each condition. The literature review finds that many of the conditions are either highly contingent, rendering CSR-washing as a complex and fragile outcome. (...) This finding runs counter to the dominant perception in the general public, among activists, and among a vocal contingent of academics that successful CSR-washing is rampant. (shrink)

Taking as its point of departure several of Derrida's later works (from "Faith and Knowledge" and The Work of Mourning to Rogues and Learning to Live Finally), ...

Our study considers the governance, ethics and operational challenges associated with the acquisition, manipulation and commodification of ‘big data’ in the financial services sector. To the best of our knowledge, there are no published studies describing empirical research undertaken within companies in this sector to understand how they are responding to such challenges: our field-based research is a significant initial contribution in this respect. We describe the results of a micro-ethnographic study undertaken in a small-to-medium-sized company developing disruptive, technology-related platforms (...) and services in the banking and retail sectors based on big data and associated analytics: these are used to derive commercially valuable insights from personal customer data in exchange for cash back and targeted rewards. The company was found to employ a multi-level innovation governance approach, underpinned by an ethical strategy based on a principle of mutual benefit. Opt-in and informed consent for using data for specific purposes was supported by principles of data minimisation and anonymisation, with unrestricted use of secondary, anonymised and aggregated data to develop insights. Governance, which included contextual data protection legislation, payment-card industry data usage standards and internal corporate controls, presented as bespoke organisational practices relating to data security and privacy. These in total set the governance and ethics frame for big data innovation at the company within which it has had to be both adaptive and responsive under conditions of normative and regulatory uncertainty. (shrink)

Beginning with a reading of Plato's Statesman, this work interrogates the relationship between life and being in Plato's thought. It argues that in his later dialogues Plato discovers--or invents--a form of true or real life that transcends all merely biological life and everything that is commonly called life.

Taking on the Tradition focuses on how the work of Jacques Derrida has helped us rethink and rework the themes of tradition, legacy, and inheritance in the Western philosophical tradition. It concentrates not only on such themes in the work of Derrida but also on his own gestures with regard to these themes—that is, on the performativity of Derrida’s texts. The book thus uses Derrida’s understanding of speech act theory to reread his own work. The book consists in a series (...) of close readings of Derrida’s texts to demonstrate that the claims he makes in his work cannot be fully understood without considering the way he makes those claims. The book considers Derrida’s relation to the Greek philosophical tradition and to his immediate predecessors in the French philosophical tradition, as well as his own legacy within the contemporary scene. Part I examines Derrida’s analyses of Plato and Aristotle on the themes of writing and metaphor. Part II looks at themes of donation, inheritance, pedagogy, and influence in relation to Derrida’s readings of the works of Michel Foucault, Jacques Lacan, and Jean-Pierre Vernant. Part III considers the promises and legacies of Derrida’s work on autobiography, friendship, and hospitality, themes Derrida has recently taken up in his readings of Martin Heidegger, Maurice Blanchot, and Emmanuel Levinas. In the Conclusion, the author analyzes what Derrida has recently called a “messianicity without messianism” and shows how Derrida develops two different notions of the future and of legacy: one that always determines a horizon for the donation and reception of any legacy or tradition, and one that leaves open a radically unknown and unknowable future for that legacy and tradition. (shrink)

This essay analyzes Derrida’s questioning of the relationship between “Theory and Practice” in his recently published seminar of 1976–1977 of this same title. It traces Derrida’s reading of this relationship in Marx and Marxism, beginning with various interpretations of the famous line from Marx’s “Theses on Feuerbach,” “Philosophers have only interpreted the world, in various ways; what is important is to transform it.” The essay tries to argue that Derrida’s reading of theory and practice in Marx should be used in (...) the end to reread Derrida himself and so rethink the relationship between theory and practice in deconstruction and, especially, in pedagogy. After tracking the places where Derrida’s seminar, first presented in Paris to help prepare students for the 1977 agrégation exam in philosophy on the theme of “Theory and Practice,” repeated, overlapped with, or anticipated many prior and subsequent treatments of similar themes in Derrida’s published works, the essay concludes that no seminar—and Derrida’s seminars are exemplary in this regard—can be restricted to the time in which they are given but are always, like Derrida’s “specters of Marx,” non-contemporaneous with themselves, in a word, “out of joint.”. (shrink)

This essay examines the critical role played by comedy and laughter in Plato. It begins by taking seriously Plato's critique of comedy and his concerns about the negative effects of laughter in dialogues such as Republic and Laws. It then shows how Plato, rather than simply rejecting comedy and censuring laughter, attempts to put these into the service of philosophy by rethinking them in philosophical terms. Accordingly, the laughable or the ridiculous is understood not just in relation to the ugly (...) or the ignoble, as it is in Homer, but in relation of blindness, ignorance, and falsity. By taking up such a philosophical perspective, one can then distinguish what truly is laughable from what merely appears so. It is in this way that Plato is able to explain why Socrates appeared so ridiculous to the multitude but was known to be anything but to those who were able to see him with philosophical eyes, that is, those who were able to attend to what I call the spectacle of laughter. The paper concludes... (shrink)

This essay demonstrates that in his 1999–2000 Death Penalty Seminar Jacques Derrida pursues the deconstruction of political theology that he had been pursuing in a more or less explicit fashion for more than two decades. Derrida's interest in the theme of the death penalty can be traced back in large part, it is argued, to the theological and essentially Judeo-Christian origins that Derrida finds in discourses both for and against the death penalty. This emphasis on the theological origins of the (...) death penalty helps explain why Derrida spends much more time questioning the principles, rhetoric, and images of abolitionist discourses than pro–death penalty discourses. For Derrida, this essay concludes, a critique or deconstruction of discourses surrounding the death penalty is never more critical than in a putatively postreligious, secular age. In the end, Derrida hopes to provide what may be the very first philosophical abolitionist discourse, one that argues against the death penalty without relying on the language, tropes, symbols, and images of Judeo-Christian theology. (shrink)

During the final decade of his life, Jacques Derrida came to use the trope of autoimmunity with greater and greater frequency. Indeed it today appears that autoimmunity was to have been the last iteration of what for more than forty years Derrida called deconstruction. This essay looks at the consequences of this terminological shift for our understanding not only of Derrida's final works (such as Rogues) but of his entire corpus. By taking up a term from the biological sciences that (...) describes the process by which an organism turns in quasi-suicidal fashion against its own self-protection, Derrida was able to rethink the very notion of life otherwise and demonstrate the way in which every sovereign identity, from the self to the nation-state to, most provocatively, God, is open to a process that both threatens to destroy it and gives it its only chance of living on. (shrink)

The End of the World and Other Teachable Moments follows the remarkable itinerary of Jacques Derrida’s final seminar, “The Beast and the Sovereign”, as the explicit themes of the seminar—namely, sovereignty and the question of the animal—come to be supplemented and interrupted by questions of death, mourning, survival, the archive, and, especially, the end of the world. The book begins with Derrida’s analyses, in the first year of the seminar, of the question of the animal in the context of his (...) other published works on the same subject. It then follows Derrida through the second year of the seminar, presented in Paris from December 2002 to March 2003, as a very different tone begins to make itself heard, one that wavers between melancholy and an extraordinary lucidity with regard to the end. Focusing the entire year on just two works, Daniel Defoe’s Robinson Crusoe and Martin Heidegger’s seminar of 1929–30, “The Fundamental Concepts of Metaphysics,” the seminar comes to be dominated by questions of the end of the world and of an originary violence that at once gives rise to and effaces all things. The End of the World and Other Teachable Moments follows Derrida as he responds from week to week to these emerging questions, as well as to important events unfolding around him, both world events—the aftermath of 9/11, the American invasion of Iraq—and more personal ones, from the death of Maurice Blanchot to intimations of his own death less than two years away. All this, the book concludes, makes this final seminar an absolutely unique work in Derrida’s corpus, one that both speaks of death as the end of the world and itself now testifies to that end—just one, though hardly the least, of its many teachable moments. (shrink)

Plato's Animals examines the crucial role played by animal images, metaphors, allusions, and analogies in Plato's Dialogues. These fourteen lively essays demonstrate that the gadflies, snakes, stingrays, swans, dogs, horses, and other animals that populate Plato's work are not just rhetorical embellishments. Animals are central to Plato's understanding of the hierarchy between animals, humans, and gods and are crucial to his ideas about education, sexuality, politics, aesthetics, the afterlife, the nature of the soul, and philosophy itself. The volume includes a (...) comprehensive annotated index to Plato’s bestiary in both Greek and English. (shrink)

This essay traces the history of Jacques Derrida's engagement with the question of the animal and the methodology Derrida follows in his 2008 The Animal That Therefore I Am . As Derrida demonstrates, the history of philosophy is marked from its inception by an attempt to draw a single, indivisible line between humans and all other animals by attributing some capacity to humans and denying it to animals. Derrida thus begins by questioning the supposed fact that animals do not have (...) such and such a capacity or attribute but then quickly turns to questioning the principle by which philosophers have claimed that humans do . In all his work on the animal, therefore, Derrida questions the confidence with which humans attribute certain capacities to themselves while denying them to animals, all in the name of a pervasive and yet repressed violence against the animal world. (shrink)

This essay traces the history of Jacques Derrida's engagement with the question of the animal and the methodology Derrida follows in his 2008 The Animal That Therefore I Am . As Derrida demonstrates, the history of philosophy is marked from its inception by an attempt to draw a single, indivisible line between humans and all other animals by attributing some capacity to humans (e.g., language, culture, mourning, a relationship to death) and denying it to animals. Derrida thus begins by questioning (...) the supposed fact that animals do not have such and such a capacity or attribute but then quickly turns to questioning the principle by which philosophers have claimed that humans do . In all his work on the animal, therefore, Derrida questions the confidence with which humans attribute certain capacities to themselves while denying them to animals, all in the name of a pervasive and yet repressed violence against the animal world. (shrink)

Jacques Derrida has written much in recent years on the topic of mourning. This essay takes Derrida's insights into mourning in general and collective mourning in particular in order to ask about the relationship between mourning and politics. Taking a lead from a recent work of Derrida's on Jean-François Lyotard, the essay develops its argument through two examples, one from ancient Greece and one from twentiethcentury America: the role mourning plays in the constitution and maintenance of the state in Plato's (...) Laws and the controversy surrounding the consecration of the tomb of the Unknown Soldier of Vietnam in Arlington National Cemetery. This latter example provides the occasion for questioning the possibilities of mourning the unknown or the unidentifiable and for addressing some of the ways in which the United States has mourned or failed to mourn, remembered or failed to remember, in the wake of September 11. (shrink)

In his final seminar, The Beast and the Sovereign, vol. 2 , Jacques Derrida spends the entire year reading just two texts, Daniel Defoe’s Robinson Crusoe and Martin Heidegger’s Fundamental Concepts of Metaphysics. This essay looks in detail at Derrida’s treatment of this latter and, in particular, at Derrida’s emphasis on the Heideggerian notion of Walten in this work. The essay begins by considering several of Derrida’s prior engagements with Heidegger, especially in Of Spirit and the “Geschlecht” essays, and their (...) analyses of such themes as Geist or spirit, sexual and species difference, violence, and ontotheology. The essay then develops the relationship between what Derrida considered to be the hyper-sovereignty of Walten and Derrida’s own notions of autoimmunity and différance, before concluding with the question of why Derrida would think it necessary to devote so much of his final seminar to this Heideggerian notion. (shrink)

_Rogues_, published in France under the title _Voyous_, comprises two major lectures that Derrida delivered in 2002 investigating the foundations of the sovereignty of the nation-state. The term "_État voyou_" is the French equivalent of "rogue state," and it is this outlaw designation of certain countries by the leading global powers that Derrida rigorously and exhaustively examines. Derrida examines the history of the concept of sovereignty, engaging with the work of Bodin, Hobbes, Rousseau, Schmitt, and others. Against this background, he (...) delineates his understanding of "democracy to come," which he distinguishes clearly from any kind of regulating ideal or teleological horizon. The idea that democracy will always remain in the future is not a temporal notion. Rather, the phrase would name the coming of the unforeseeable other, the structure of an event beyond calculation and program. Derrida thus aligns this understanding of democracy with the logic he has worked out elsewhere. But it is not just political philosophy that is brought under deconstructive scrutiny here: Derrida provides unflinching and hard-hitting assessments of current political realities, and these essays are highly engaged with events of the post-9/11 world. (shrink)

The word floruit is typically used to designate the year around which a thinker or writer is thought to have ‘flourished’. Traditionally, that age is set at forty. In this paper, I ask whether texts too might be assigned a time of flourishing, a floruit – or perhaps more than one – that would no longer be attached to the life of the author but to the unique time of the trace or the archive, a flourishing that might best be (...) thought in terms of what Derrida called survivance or living-on. I develop this notion of a flourishing beyond the life of the author, indeed beyond the human altogether, by returning to Glas, a text that was published forty years ago and that is soon to undergo – or at least this is my hope – a new infusion of critical interest and a new flourishing. I argue that by returning to Glas and its seminal analyses of Hegel and Genet on the themes of life, death, blood, spirit, glory, the death penalty, the proper of man, and so on, we will be better able to understand and take the measure of Derrida's return to these same themes in his final seminars a quarter of a century later. (shrink)

This volume contains the speech given by Derrida at Emmanuel Levinas's funeral on December 27, 1995, and his contribution to a colloquium organized to mark the first anniversary of Levinas's death. For both thinkers, the word _adieu_ names a fundamental characteristic of human being: the salutation or benediction prior to all constative language and that given at the moment of separation, sometimes forever, as at the moment of death, it is also the _a-dieu_, for God or to God before and (...) in any relation to the other. In this book, Derrida extends his work on Levinas in previously unexplored directions via a radical rereading of _Totality and Infinity_ and other texts, including the lesser-known talmudic readings. He argues that Levinas, especially in _Totality and Infinity,_ bequeaths to us an "immense treatise of hospitality," a meditation on the welcome offered to the other. The conjunction of an ethics of pure prescription with the idea of an infinite and absolute hospitality confronts us with the most pressing political, juridical, and institutional concerns of our time. What, then, is an ethics and what is a politics of hospitality? And what, if it ever _is,_ would be a hospitality surpassing any ethics and any politics we know? As always, Derrida raises these questions in the most explicit of terms, moving back and forth between philosophical argument and the political discussion of immigration laws, peace, the state of Israel, xenophobia—reminding us with every move that thinking is not a matter of neutralizing abstraction, but a gesture of hospitality for what happens and still may happen. (shrink)

In this brilliant essay, Jacques Derrida explores issues of vision, blindness, self-representation, and their relation to drawing, while offering detailed readings of an extraordinary collection of images. Selected by Derrida from the prints and drawings department of the Louvre, the works depict blindness—fictional, historical, and biblical. From Old and New Testament scenes to the myth of Perseus and the Gorgon and the blinding of Polyphemus, Derrida uncovers in these images rich, provocative layers of interpretation. For Derrida drawing is itself blind; (...) as an act rooted in memory and anticipation, drawing necessarily replaces one kind of seeing with another. Ultimately, he explains, the very lines which compose any drawing are themselves never fully visible to the viewer since they exist only in a tenuous state of multiple identities: as marks on a page, as indicators of a contour. Lacking a "pure" identity, the lines of a drawing summon the supplement of the word, of verbal discourse, and, in doing so, obscure the visual experience. Consequently, Derrida demonstrates, the very act of depicting a blind person undertakes multiple enactments and statements of blindness and sight. _Memoirs of the Blind_ is both a sophisticated philosophical argument and a series of detailed readings. Derrida provides compelling insights into famous and lesser known works, interweaving analyses of texts—including Diderot's _Lettres sur les aveugles_, the notion of mnemonic art in Baudelaire's _The Painter of Modern _ _Life_, and Merleau-Ponty's _The Visible and the _ _Invisible_. Along with engaging meditations on the history and philosophy of art, Derrida reveals the ways viewers approach philosophical ideas through art, and the ways art enriches philosophical reflection. An exploration of sight, representation, and art, _Memoirs of the Blind_ extends and deepens the meditation on vision and painting presented in _Truth and _ _Painting_. Readers of Derrida, both new and familiar, will profit from this powerful contribution to the study of the visual arts. (shrink)

Jacques Derrida is, in the words of the_ New York Times_, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. _The Work of Mourning_ is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, (...) eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, _Guardian_ "Strikingly _simpa_ meditations on friendship, on shared vocations and avocations and on philosophy and history."—_Publishers Weekly _. (shrink)

Jacques Derrida is, in the words of the_ New York Times_, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. _The Work of Mourning_ is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, (...) eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, _Guardian_ "Strikingly _simpa_ meditations on friendship, on shared vocations and avocations and on philosophy and history."—_Publishers Weekly _. (shrink)

_ Source: _Volume 45, Issue 2, pp 191 - 213 With the recent publication of Jacques Derrida’s seminar of 1964–65, Heidegger: The Question of Being and History, it has become abundantly clear that when the full history of Derrida’s half-century-long engagement with Heidegger is finally written a special place will have to be reserved for the question of history itself, and especially the question of history or historicity in its irreducible relationship to language and to violence. In this essay, I (...) look at just a few key passages from “Violence and Metaphysics,” first published in 1964, and Derrida’s seminar on Heidegger from that same year in order to try to isolate what appears to be an important transitional moment in Derrida’s rethinking of the questions of language, violence, and history, in large part, it seems, thanks to, or accompanied by, Heidegger. Indeed, while Derrida’s engagement with Heidegger over the next four decades will go on to include questions of technology, the animal, species difference, sexual difference, and so on, the relationship between language, history, and violence that came to draw his attention in the early 1960s and that would be crucial to what Derrida will go on to call deconstruction will continue to haunt him, as I will suggest in conclusion, right up to his very last seminar, The Beast and the Sovereign, in 2002–2003. (shrink)

This chapter will make ample use of Derrida's self‐analysis in “We Other Greeks,” especially as concerns the important role played by what might be called “the question of inclusion and exclusion” in Derrida's work on the Greeks. But it will then go on to make a claim that Derrida would have no doubt hesitated to grant, namely, that among all of Derrida's engagements with the Ancient Philosophy a single figure, Plato, and a single dialogue of Plato's, the Phaedrus, indeed a (...) single scene within that dialogue–Socrates’ critique of writing – played a central and unparalleled role in Derrida's work from the beginning right up until the end. The chapter shows this by looking not so much at the essay in which Derrida treats this scene in detail, his essay “Plato's Pharmacy,” but at Derrida's other works from around the same time and then at some of his very last publications. (shrink)

This essay takes as its point of departure Jacques Derrida’s analysis of the phantasm of a mother tongue in his recently published seminar from 1995–1996 on hospitality (Hospitalité I, Éditions du Seuil, 2021). The essay begins by showing that Derrida’s analysis of this phantasm is per­fectly consistent with several of his most important works of the 1960s (from Of Grammatology to Voice and Phenomenon) on the auto-affection of speech and the phantasm of self-presence to which it gives rise. But the (...) essay then demonstrates how those earlier analyses of language and voice are supplemented in Hospitalité by important reflections on what were then very new teletechnologies—including the cell or mobile phone—that do not, as we might have thought, deflate the phantasm of self-presence and of a natural mother tongue but actually lend themselves to it. What these teletechnologies thus end up underscoring, according to Derrida, is the original exappropriation at the heart of all language, including the so-called mother tongue. (shrink)

This essay attempts to lay out the three principal theses of Jacques Derrida’s 1994-1995 “Faith and Knowledge,‘ Derrida’s most sustained but also most challenging work on the nature of religion and the relationship between religion and science. After demonstrating through these three theses that religion and science not only share a common source-or have a common genesis-but are in what Derrida calls an autoimmune relationship to one another, the essay puts these theses to the test by reading a brief passage (...) near the middle of the essay where Derrida recounts the genesis of “Faith and Knowledge‘ itself Derrida’s seemingly anecdotal recounting of this genesis is thus shown to reflect the three theses of “Faith and Knowledge,‘ the way in which, in a word, the breath of creation, or the miracle of religion, is always doubled, supplemented, and thus contaminated by the machine of science and tele-technology. (shrink)

Class Acts examines two often neglected aspects of Jacques Derrida's work as a philosopher, his public presentations at lectures and conferences and his teaching, along with the question of the "speech act" that links them. What, Michael Naas asks, is one doing when one speaks in public in these ways? The book follows Derrida's itinerary with regard to speech act theory across three public lectures, from 1971 to 1997, all given, for reasons the book seeks to explain, in Montreal. In (...) these lectures, Derrida elaborated his critique of J. L. Austin and his own subsequent redefinition of speech act theory. The book then gives an overview of Derrida's teaching career and his famous "seminar" presentations, along with his own explicit reflections on pedagogy and educational institutions beginning in the mid-1970s. Naas then shows through a reading of three recently published seminars-on life death, theory and practice, and forgiveness-just how Derrida the teacher interrogated and deployed speech act theory in his seminars. Whether in a conference hall or a classroom, Naas demonstrates, Derrida was always interested in the way spoken or written words might do more than simply communicate some meaning or intent but might give rise to something like an event. Class Acts bears witness to the possibility of such events in Derrida's work as a pedagogue and a public intellectual. (shrink)

This chapter illustrates how Derrida looks upon America, and describes Derrida's life in America. It considers Derrida's influence on America, especially in deconstruction, a term often associated with him. It also provides a description of Derrida's “America” and “Europe”.

Derrida à Montréal n'est pas le titre d'une pièce de théâtre, mais celui d'un essai qui suit, en trois actes, trois événements singuliers qui ont eu lieu à Montréal et auxquels Jacques Derrida a participé en 1971, en 1979 et en 1997. Au "Premier Acte", Michael Naas relit de près la première communication du philosophe, "Signature événement contexte", un texte qui prend très au sérieux - et les critique tout à la fois - la théorie des speech acts de John (...) L. Austin et les questions du contexte, de la présence, de l'écriture, de l'événement et de la signature qui lui sont liées. Au "Deuxième Acte", on retrouve Derrida traitant de ces mêmes questions, mais d'un point de vue politique où il s'intéresse aux "Déclarations d'Indépendance". Enfin, au "Troisième Acte", Derrida poursuit cette discussion ininterrompue qui se concentre, une fois de plus, sur ces mêmes aspects, mais à la lumière de la notion d'événement. C'est comme si Montréal avait chaque fois été la scène rêvée où Derrida avait pu explorer ces questions pour lui cruciales."--Page 4 de la couverture. (shrink)

During those first few days, those first few weeks, truth be told, still today, something in me has wanted simply to echo the sentiments of others. That’s because I myself didn’t know exactly what to say and, truth be told, I still don’t know today. But it’s also because others, including and especially some of the people here today, beginning with my co-panelists and, perhaps especially, early on, Leigh Johnson, knew at the time just what had to be said and (...) so expressed so well the sentiments that we all—that I at least—just wanted to echo. Just to echo, that’s what I wanted to do, because by echoing the sentiments of others I would be able to protect myself just a bit longer, I thought, though also, I self-justified, by echoing others I would be able to give back in some way to Pleshette herself, who showed us in her work that Echo does not simply repeat but initiates even when it looks or sounds as if she is not, Echo who gives back even when it sounds as if she has nothing to give, Echo who not only has her own Narcissus but her own narcissism—which Pleshette would have been the first to tell us is not only not a bad thing but a necessary one, and perhaps just what is needed for a new thinking of empathy, of mourning, and, perhaps, as I will try to say, of the ephemeral. (shrink)

In Plato’s later dialogues, and particularly in the Sophist, there is a general reinterpretation and rehabilitation of the name (onoma) in philosophy. No longer understood rather vaguely as one of potentially dangerous and deceptive elements of everyday language or of poetic language, the word onoma is recast in the Sophist and related dialogues into one of the essential elements of a philosophical language that aims to make claims or propositions about the way thingsare. Onoma, now understood as name, is thus (...) coupled with rhema, or verb, to form the two essential elements of any logos, that is, any claim, statement, orproposition. This paper follows Plato’s gradual rehabilitation and reinscription of the name from early dialogues through late ones in order to demonstrate thenew role Plato fashions for language in these later works. (shrink)